Research & Publications

“This Chapter Goes to Eleven: This is Spinal Tap, Authenticity, and Reality.” in The Routledge Companion to Popular Music and Comedy. Eds. Thomas Kitts & Nicolas Baxter Moore. New York: Routledge, 2019.
“‘What’s for Tea, Daughter?’: Gender and Technology in Petra Haden Sings: The Who Sell Out (2005).” in All by Myself: Essays on the Single-Artist Rock Album. Ed. Steven Hamelman. Lanham, MD: Rowman & Littlefield, 2016.
(with Alex DiBlasi) “Riding the Backs of Giraffes for Laughs is Alright for a While”: The Monkees and Authenticity, Production, and Fandom.” The Mid-Atlantic Almanack, Vol. 25. November 2014.
Ishtar and Hollywood Gender Politics: Elaine May’s Orwellian Vision.” Americana: The American Popular Culture Magazine. July 2014.
“The Time Is Right To Set Our Site On Salvation:’ The Strange Tale of How The Hare Krishnas Came To Play Hardcore Punk.” Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music. Eds. Eric James Abbey & Colin Helb. Lanham, MD: Lexington, 2014.


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